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"Fly Like a Bird" is a song by American singer-songwriter Mariah Carey, released on March 13, 2006, by Island Records as a single from her tenth studio album, The Emancipation of Mimi (2005). Written and produced by Carey and James "Big Jim" Wright , the song is influenced by Gospel , soul , and R&B music genres.
Rudd recorded most of the album in Ontario, Canada at a studio in a wooden cottage by a lake. [2] " Follow The Sun", which features the sound of magpies at the start, was the last track recorded for the album, and the only song recorded outside of Canada, at Studios 301 in Byron Bay.
Shamanic teacher and spiritual healer Dr. Jonathan Dubois has studied hawk symbolism extensively. "The hawk is a magnificent bird, soaring up on the warm air currents and rising above to gain a ...
2 Red Cardinals: Spiritual Meaning Life gets quite interesting when you are being visited by two red Cardinals. The spiritual meaning behind seeing two of them is that you should take a closer ...
A mantra (Pali: mantra) or mantram (Devanagari: मन्त्रम्) [1] is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words (most often in an Indo-Iranian language like Sanskrit or Avestan) believed by practitioners to have religious, magical or spiritual powers.
"Something to Love", by Jason Isbell and the 400 Unit references the song when speaking of learning music: "They taught me how to make the chords and sing the words. I'm still singing like that great speckled bird." Both the song "The Great Speckled Bird" and the passage from Jeremiah may be a poetic description of mobbing behavior. [3]
Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Bing Crosby included the song in a medley on his album 101 Gang Songs (1961). Pete Seeger gave it additional folk music visibility by performing it at the 1964 Newport Folk Festival, and played it many times throughout his career, adapting the lyrics and stating the song's relevance as an American song, not just a spiritual. [14]