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The Free UCS Outline Fonts [1] (also known as freefont) is a font collection project. The project was started by Primož Peterlin and is currently administered by Steve White. The aim of this project has been to produce a package of fonts by collecting existing free fonts and special donations, to support as many Unicode characters as possible.
Impact is a sans-serif typeface in the industrial or grotesque style designed by Geoffrey Lee in 1965 and released by the Stephenson Blake foundry of Sheffield. [1] It is well known for having been included in the core fonts for the Web package and distributed with Microsoft Windows since Windows 98.
Bookman, or Bookman Old Style, is a serif typeface.A wide, legible design that is slightly bolder than most body text faces, Bookman has been used for both display typography, for trade printing such as advertising, and less commonly for body text.
The "Included from" column indicates the first edition of Windows in which the font was included. ... [2] Regular, Bold, Italic, Bold Italic: ... Ink Free [6] Display:
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
Also the official font for all the signage system of the Spanish Government. Modified variant of Gill Sans Bold Condensed used on road signs in former East Germany until 1990. [26] [27] Goudy Old Style: Used on Victoria PTC railway station signs in the 1990s, replacing the green The Met signs.
Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare: Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless : Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin Nicholas : Clearview Designer: James Montalbano et al. Class ...
The design of League Gothic was based on Alternate Gothic, a typeface originally designed by Morris Fuller Benton in 1903. Both No. 1 and No. 2 are available, each in a single semi-bold weight. [13] League Gothic was also used as the basis for Warsaw Gothic, an expanded font family with some altered glyphs produced in 2015 by Robert Jablonski. [14]