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Robin Coste Lewis's Voyage of the Sable Venus is a meditation on the cultural depiction of the black female figure. Juxtaposing autobiography with art-historical constructs of racial identity, she defines and creates self. In poems that consider the boundaries of beauty and terror, Coste Lewis intimately involves us with all that has formed her.
A well-known example is a poem by Emily Dickinson titled "I Dreaded That First Robin So". Among other 19th-century poems about the first robin of spring is "The First Robin" by William Henry Drummond, which, according to the author's wife, is based on a Quebec superstition that whoever sees the first robin of spring will have good luck. [57]
Orson Welles read the poem on an episode of The Radio Reader's Digest (11 October 1942), [9] [10] Command Performance (21 December 1943), [11] and The Orson Welles Almanac (31 May 1944). [12] High Flight has been a favourite poem amongst both aviators and astronauts. It is the official poem of the Royal Canadian Air Force and the Royal Air Force.
A Gest of Robyn Hode (also known as A Lyttell Geste of Robyn Hode) is one of the earliest surviving texts of the Robin Hood tales. Written in late Middle English poetic verse, it is an early example of an English language ballad, in which the verses are grouped in quatrains with an ABCB rhyme scheme, also known as ballad stanzas.
"The Twa Corbies", illustration by Arthur Rackham for Some British Ballads "The Three Ravens" (Roud 5, Child 26) is an English folk ballad, printed in the songbook Melismata [1] compiled by Thomas Ravenscroft and published in 1611, but the song is possibly older than that.
A song was created from the poem by Harold Fraser-Simson, who put many of Milne's poems to music. "Halfway Down the Stairs" was used in the first season of The Muppet Show. The performance was staged in the middle of a flight of stairs, and became the most significant performance of the season for Kermit the Frog's nephew Robin the Frog.
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In the poem as it survives, there are two exchanges. Dunbar opens with a three-stanza address to his commissar which pours lofty scorn on the poetic pretensions of Kennedy and his commissar, describing what must happen if their self-promotion should move him to reluctantly unleash his own far superior powers; which boast Kennedy answers, also in three stanzas, with a direct, highly ...