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The traditional colors of Japan trace their historical origins to the Twelve Level Cap and Rank System which was established in 603 by Prince Shōtoku and based on the five Chinese elements. In this system, rank and social hierarchy were displayed and determined by certain colors.
To this day, the ceremonial clothes of the Emperor worn during the enthronement ceremony are dyed in this color, extracted from sumac (Toxicodendron succedaneum), a Japanese wax tree. Seven additional colors were installed in the 10th and 11th centuries: Pale oak (青白橡, aoshirotsurubami) is the color of the outerrobes of the Emperor of ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 14 December 2024. For other color lists, see Lists of colors. This article relies largely or entirely on a single source. Relevant discussion may be found on the talk page. Please help improve this article by introducing citations to additional sources. Find sources: "List of colors" alphabetical ...
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Hanakotoba (花言葉) is the Japanese form of the language of flowers. The language was meant to convey emotion and communicate directly to the recipient or viewer without needing the use of words. The language was meant to convey emotion and communicate directly to the recipient or viewer without needing the use of words.
Color is given more to meditation than to spectacle. Understated, not innocent. Subdued colors, muddied with gray tones create a silvery effect. (Shibuichi is a billon metal alloy with a silver-gray appearance.) In interior decorating and painting, gray is added to primary colors to create a silvery effect that ties different colors together in ...
The mon of the Toyotomi clan, now used as the emblem of the Japanese Government; originally an emblem of the imperial family—a stylized paulownia.. Mon (紋), also called monshō (紋章), mondokoro (紋所), and kamon (家紋), are Japanese emblems used to decorate and identify an individual, a family, or (more recently) an institution, municipality or business entity.
The term aizuri-e (Japanese: 藍摺絵 "blue printed picture") usually refers to Japanese woodblock prints that are printed entirely or predominantly in blue. When a second color is used, it is usually red.