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In his lecture in February 1920 on Britain's surplus of young women caused by the loss of young men in war, Dr. R. Murray-Leslie criticized "the social butterfly type... the frivolous, scantily-clad, jazzing flapper, irresponsible and undisciplined, to whom a dance, a new hat, or a man with a car, were of more importance than the fate of ...
Queen Elizabeth wears long gloves with a short-sleeved dress and dramatic hat to visit the 1939 New York World's Fair. Jean Patou, who had first raised hemlines to 18" off the floor with his "flapper" dresses of 1924, had begun lowering them again in 1927, using Vionnet's handkerchief hemline to disguise the change. By 1930, longer skirts and ...
The most memorable fashion trend of the Roaring Twenties was undoubtedly "the flapper" look. The flapper dress was functional and flattened the bust line rather than accentuating it. [3] The straight-line chemise topped by the close-fitting cloche hat became the uniform of the day.
Briefly summarised by this quote, “From society lady to factory "girl," every woman wore a hat, stockings, shoes, and gloves in all seasons.” [3] In accordance with the emerging modern woman, the New Woman's moxie was paradoxically evident in her lack of charm, exhibiting short bobbed haircuts, heavier makeup, and boyish frames. [ 7 ]
In contrast to the "boyish figure" were the types of hats and accessories women wore in the roaring twenties. [4] Flapper dresses were juxtaposed with oversized hats, often trimmed with large bows, feathers, ribbons, or sequins. Furthermore, bold headbands were often worn to complement women's customarily shorter hair lengths.
Cloche hat as worn by silent film star Vilma Bánky, 1927. The cloche hat or simply cloche (pronunciation ⓘ) is a fitted, bell-shaped hat for women that was invented in 1908 by milliner Caroline Reboux. [1] They were especially popular from about 1922 to 1933. [2] Its name is derived from cloche, the French word for "bell". [3]