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Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical ...
Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. [3] The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production.
Mixel Pixel was a music/video project based in Brooklyn, New York, active from 1995-2009. Formed in December 1995 in rural Minnesota, [1] Mixel Pixel soon released their first home recorded 4 track cassettes, Lez Puff, Pastelogram, and Basement Mom. Later, they relocated to Delaware where they spent the next 4 years recording their first LP ...
The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians. Along with the German-language Die Musik in Geschichte und Gegenwart , it is one of the largest reference works on the history and theory of music .
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
The term Mixed music describes music combining acoustic instruments and fixed-media electronics (e.g concrete sounds, sound-file playback etc) [1] and/or real-time electronic instrumental transformations; in other words, music which combines acoustic-instrumental and electronic sounds sources, not including electrically amplified instruments, such as the electric guitar and electronic ...
In the modern music industry, a mixtape is a musical project, typically with looser constraints than that of an album or extended play.Unlike the traditional album or extended play, mixtapes are labeled as laid-back projects that allow artists more creative freedom and less commercial pressure. [2]
Early pop remixes were fairly simple; in the 1980s, "extended mixes" of songs were released to clubs and commercial outlets on vinyl 12-inch singles.These typically had a duration of six to seven minutes, and often consisted of the original song with 8 or 16 bars of instruments inserted, often after the second chorus; some were as simplistic as two copies of the song stitched end to end.