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Hip is a slang for fashionably current [1] and in the know. To be hip is to have "an attitude, a stance" in opposition to the "unfree world", [2] or to what is square or prude. Being hip is also about being informed about the latest ideas, styles, and developments. [3] Hip, like cool, does not refer to one specific quality. What is considered ...
Vico C describes reggaeton as "essentially hip-hop but with a flavor more compatible to the Caribbean." [6] As one of the founders of hip hop in Spanish, [7] Vico C was able to show that it was possible for one to be able to rap entirely and compellingly in Spanish using just occasional English phrases or slang terms. He can be seen in the rap ...
Urbano music (Spanish: música urbana) or Latin urban is a transnational umbrella category including many different genres and styles. As an umbrella term it includes a wide and diverse set of genres and styles such as dancehall, dembow, urban champeta, funk carioca, Latin hip hop and reggaeton.
Pages in category "Spanish hip-hop" This category contains only the following page. This list may not reflect recent changes. S. Songo-salsa
Hip-hop or hip hop (formerly known as disco rap) [7] [8] is a genre of popular music that emerged in the early 1970s in New York City. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising ...
Latin trap is a subgenre of Latin hip hop, taking influence from Southern hip hop as well as Puerto Rican genres like reggaeton and dembow.Vocals include a bend of rapping and singing using synthesizers and voice distorted autotune, often in Spanish, while still maintaining the trap style sonic circuitry. [3]
Spanish Reggae was a product of musical movements in Jamaica and Panama, while Spanish Hip-Hop was created by the influence of Hip-Hop in the U.S. at the time. [16] Reggaeton was developed in areas of Public housing in Puerto Rico, known as "caserios," which were filled with urban poverty and criminal activity such as drug violence. [17]
Memphis artists released recordings on independent labels. The dominance of New York and Los Angeles's hip hop scenes forced southern artists to form an underground style and sound to compete with the other regions. Artists used a grassroots approach through word-of-mouth in the club scene and mixtapes to promote their music. [8]