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The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Once the bearded, long-haired Jesus became the conventional representation of Jesus, his facial features slowly began to be standardised, although this process took until at least the 6th century in the Eastern Church, and much longer in the West, where clean-shaven Jesuses are common until the 12th century, despite the influence of Byzantine art.
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Paintings of Jesus" The following 200 pages are in this category, out of ...
Stampita or print of the Holy Face of Jesus (modern reproduction). A broader devotion to the Holy Face is based on the image used on the Shroud of Turin which some believe to be the burial cloth of Jesus, though radiocarbon dating disputes this belief. It is different from the likeness of Jesus on the Veil of Veronica, although the veil image ...
Other sculptural representations of the Nativity include ivory miniatures, carved stone sarcophagi, architectural features such as capitals and door lintels, and free standing sculptures. Free-standing sculptures may be grouped into a Nativity scene (crib, creche or presepe) within or outside a church, home, public place or natural setting. The ...
Jesus [d] (c. 6 to 4 BC – AD 30 or 33), also referred to as Jesus Christ, [e] Jesus of Nazareth, and many other names and titles, was a first-century Jewish preacher and religious leader. [10] He is the central figure of Christianity , the world's largest religion .
Ascension of Christ and Noli me tangere, c. 400, ivory, Milan or Rome, now in Munich.See below for a similar Ascension 450 years later.. New Testament scenes that appear in the Early Christian art of the 3rd and 4th centuries typically deal with the works and miracles of Jesus such as healings, the multiplication of the loaves or the raising of Lazarus. [3]
The inspiration for printing the words of Jesus in red comes from Luke 22:20: "This cup is the new testament in my blood, which I shed for you." On 19 June 1899, Louis Klopsch , then editor of The Christian Herald magazine, conceived the idea while working on an editorial.