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Cantonese is an analytic language in which the arrangement of words in a sentence is important to its meaning. A basic sentence is in the form of SVO , i.e. a subject is followed by a verb then by an object , though this order is often violated because Cantonese is a topic-prominent language .
* 我们 / 我們 can be either inclusive or exclusive, depending on the circumstance where it is used. † 咱们 / 咱們 is mainly used by northern speakers. Following the iconoclastic May Fourth Movement in 1919, and to accommodate the translation of Western literature, written vernacular Chinese developed separate pronouns for gender-differentiated speech, and to address animals, deities ...
Pronouns in Cantonese are less numerous than their Indo-European languages counterparts. Cantonese uses pronouns that apply the same meaning to function as both subjective (English: I, he, we) and objective (me, him, us) just like many other Sinitic languages .
The Institute of Language in Education Scheme (Chinese: 教院式拼音方案) also known as the List of Cantonese Pronunciation of Commonly-used Chinese Characters romanization scheme (常用字廣州話讀音表), ILE scheme, and Cantonese Pinyin, [1] is a romanization system for Cantonese developed by Ping-Chiu Thomas Yu (Chinese: 余秉昭) in 1971, [2] [3] and subsequently modified by the ...
Over the years, Hong Kong Cantonese has also absorbed foreign terminology and developed a large set of Hong Kong-specific terms. Code-switching with English is also common. As of 2021, 88.2% of Hong Kong's population identified Cantonese as their "usual spoken language," while 93.7% reported being able to speak it. [1]
In English, the term "Cantonese" can be ambiguous. "Cantonese" as used to refer to the language native to the city of Canton, which is the traditional English name of Guangzhou, was popularized by An English and Cantonese Pocket Dictionary (1859), a bestseller by the missionary John Chalmers. [6]
See also Cantonese love-songs, translated with introduction and notes by Cecil Clementi (1904) or a newer translation of these by Peter T. Morris in Cantonese love songs : an English translation of Jiu Ji-yung's Cantonese songs of the early 19th century (1992). Cantonese character versions of the Bible, Pilgrims Progress, and Peep of Day, as ...