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The results of the efforts of all Civil War photographers can be seen in almost all of the history texts of the conflict. In terms of photography, the American Civil War is the best covered conflict of the 19th century. It presaged the development of the wartime photojournalism of World War II, the Korean War, and the Vietnam War.
The idea that many of the Civil war negatives perished by being used in greenhouses is probably a myth. [26] This is also dispelled by the Civil War photo historian Bob Zeller. [27] Practically all histories of Civil War photography omit the fact that most were taken in 3-D and many were published as side-by-side 3-D images.
The Brady-Handy collection is a historical photo archive of the United States. The collection is a cache of "mostly Civil War and post-Civil War portraits, with a small collection of Washington views" purchased by the Library of Congress in 1954, from descendants of Levin C. Handy, nephew and apprentice of photographer Mathew Brady. [1]
A Harvest of Death, 1863.. A Harvest of Death is the title of a photograph taken by Timothy H. O'Sullivan, sometime between July 4 and 7, 1863.It shows the bodies of soldiers killed at the Battle of Gettysburg during the American Civil War, stretched out over part of the battlefield.
A Civil War soldier from Parma, Ohio, was the original owner of this portrait, published in the Cleveland Plain Dealer on February 12, 1942, from a print in the Anthony L. Maresh collection. Possibly it is a photographic copy of one of two daguerreotypes, both now lost, taken in Ohio. [15] 1858 (?) Springfield, Illinois Photographic copy unknown
The carte de visite was introduced in New York, probably by Charles DeForest Fredricks, late in the summer of 1859 and proved immediately popular in the era of the Civil War. During the war years, photography studios across the country generated hundreds of thousands of carte-de-visite portraits in decorative pressed-paper and tooled-leather ...
Alexander Gardner, 1860s. Abraham Lincoln became the President of the United States in the November 1860 election and along with his election came the threat of war. Gardner was well-positioned in Washington, D.C. to document the pre-war events, and his popularity rose as a portrait photographer, capturing the visages of soldiers leaving for war.
Liljenquist Family Collection of Civil War Photographs at the Library of Congress in Washington, D.C. is a collection of photographs and ephemera related to the American Civil War. The bulk of the collection comprises ambrotypes , tintypes , and cartes de visite of individual soldiers and officers from both sides of the conflict.