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No self-portraits were listed in the famous 1656 inventory, [14] and only a handful of the paintings remained in the family after his death. [15] Rembrandt's self-portraits were created by the artist looking at himself in a mirror, [16] and the paintings and drawings therefore reverse
B21, Self-portrait leaning on a Sill, etching, 1639, 2 states. The pose draws on portraits by Titian and Raphael, A Man with a Quilted Sleeve (NG, London) and Portrait of Baldassare Castiglione (Louvre) respectively. [1] Self-Portrait at the Age of 34 is a self-portrait by Rembrandt, dating to 1640 and now in the National Gallery in London.
Rembrandt. Self Portrait, c. 1655. Oil on panel, 48.9 x 40.2 cm. Kunsthistorisches Museum. Self Portrait (or The Large Self-Portrait) [1] is an oil-on-canvas painting by the Dutch artist Rembrandt. Painted in 1652, it is one of more than 40 painted self-portraits by Rembrandt, and was the first he had painted since 1645. [2]
Self-portrait in a cap, with eyes wide open , is often used on the covers of publications on Rembrandt's engraved work, such as the one in the Musée du Petit Palais.: [1] The Dutch Golden Age painter Rembrandt was a prolific printmaker throughout his career, and is universally regarded as one of the greatest creators of old master prints.
File:Rembrandt, Self-portrait, circa 1636–1641, Norton Simon Museum, Pasadena, California.jpg
Self-portrait: c. 1640: Oil on panel: 72.2 x 58.3: Thyssen-Bornemisza Museum, Madrid: 178: The panel was slightly cropped later; the roughly blocked out hand was revealed during a restoration. Originally it must have been painted out by Rembrandt himself Self-Portrait at the Age of 34: 1640: Oil on canvas: 93 x 80: National Gallery, London: 179
Seen in terms of Rembrandt's style alone, about 1639-40 seems more likely. [2] As in many of Rembrandt's actual self-portraits, the subject wears fanciful dress that suggests the 16th rather than the 17th century. The gorget was contemporary wear for a soldier, included in a number of Rembrandt's tronie self-portraits. [3]
Portrait of Cornelis Claesz Anslo: 1640: Red chalk, heightened with white, on paper: 15.7 x 14 cm: British Museum, London: Inscribed Rembrandt f. 1640. Indented for transfer to the etching B271 : Portrait of Cornelis Claesz Anslo: 1640: Red chalk, pen and wash in bistre, Indian ink, whity body colour: 24.6 x 20.1 cm: Musée du Louvre, Paris