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Manoranjan TV is an Indian Hindi-language entertainment and movie channel which was owned by Manoranjan TV Group Limited. [1] [2] Earlier, the channel aired Bollywood and Hindi-dubbed movies. [3] Now it is an entertainment channel airing children's programming. In 2022 the channel launched content in Bhojpuri [4] and in 2023, in Urdu. [5]
Krishna Baldev Vaid (Hindi: कृष्ण बलदेव वैद) (27 July 1927 – 6 February 2020) was an Indian Hindi fiction writer and playwright, noted for his experimental and iconoclastic narrative style.
Majhdhaar is a 1996 Indian Hindi-language drama film directed by Esmayeel Shroff. [2] The film stars Salman Khan , Manisha Koirala and Rahul Roy . [ 3 ] The film was a box office failure.
Rajendra Yadav (28 August 1929 – 28 October 2013) was a Hindi fiction writer, and a pioneer of the 'Nayi Kahani' movement of Hindi literature. He edited the literary magazine HANS, which was founded by Munshi Premchand in 1930 but ceased publication in 1953 – Yadav relaunched it on 31 July 1986, (Premchand's Birthday).
Vijaydan Detha (1 September 1926 – 10 November 2013), also known as Bijji, was a noted Indian writer of Rajasthani literature. [1] He was a recipient of several awards including the Padma Shri and the Sahitya Akademi Award.
Mohan Rakesh (8 January 1925 – 3 December 1972) was one of the pioneers of the Nai Kahani ("New Story") literary movement of the Hindi literature in India in the 1950s. He wrote the first modern Hindi play, Ashadh Ka Ek Din (One Day in Aashad) (1958), which won a competition organised by the Sangeet Natak Akademi.
Kashinath Singh (Hindi: काशीनाथ सिंह, born 1937) is an Indian writer and scholar of Hindi language and known for writing novels and short stories in Hindi. He was formerly a professor of Hindi literature in Banaras Hindu University .
Savitri - EK Prem Kahani, an Indian television series which aired on Life OK in 2013 is a modern adaptation of the story. [20] Savitri by Pavan Sadineni and Warrior Savitri (2016) by Param Gill are modern-day adaptations of the tale. The latter was controversial for its depiction of Savitri as a 21st-century woman.