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Phædo or Phaedo (/ ˈ f iː d oʊ /; Greek: Φαίδων, Phaidōn [pʰaídɔːn]), also known to ancient readers as On The Soul, [1] is one of the best-known dialogues of Plato's middle period, along with the Republic and the Symposium. The philosophical subject of the dialogue is the immortality of the soul.
Accordingly, the Phaedo presents a real challenge to commentators because Plato oscillates between different conceptions of the soul. In the cyclical and Form-of-life arguments, for instance, the soul is presented as something connected with life, where, in particular, in the final argument, this connection is spelled out concretely by means of ...
Abbt had introduced him to Plato's work, the Phaedo, and he decided to bring this work into the contemporary world. The book is dedicated to Abbt. [3] Phaedon is a series of three dialogues in which Socrates argues for the immortality of the soul, in preparation for his own death. He published about a third of the original text unaltered and ...
Moses Mendelssohn's Phaedon is a defense of the simplicity and immortality of the soul. It is a series of three dialogues, revisiting the Platonic dialogue Phaedo, in which Socrates argues for the immortality of the soul, in preparation for his own death. Many philosophers, including Plotinus, Descartes, and Leibniz, argue that the soul is ...
The view that life is self-motion and that the soul is a self-mover is used by Plato to guarantee the immortality of the soul, making this a novel argument for the soul's immortality not found in the Phaedo. [9]
In his Phaedo, Plato has Socrates give four arguments for the immortality of the soul and life after death following the separation of the soul from the body. [7] Plato's Socrates also states that after death the Psyche is better able to achieve wisdom and experience the Platonic forms since it is unhindered by the body.
In Phaedo, Plato develops his theory of anamnesis, in part by combining it with his theory of forms. Firstly, he elaborates how anamnesis can be achieved: whereas in Meno , nothing more than Socrates' method of questioning is offered, in Phaedo , Plato presents a way of living that would enable one to overcome the misleading nature of the body ...
Plato often invokes, particularly in his dialogues Phaedo, Republic and Phaedrus, poetic language to illustrate the mode in which the Forms are said to exist. Near the end of the Phaedo, for example, Plato describes the world of Forms as a pristine region of the physical universe located above the surface of the Earth (Phd. 109a–111c).