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In the earlier years of the 20th century rhymed lyric poetry, usually expressing the feelings of the poet, was the dominant poetic form in the United States, [27] Europe, and the British colonies. The English Georgian poets and their contemporaries such as A. E. Housman , Walter de la Mare , and Edmund Blunden used the lyric form.
The interplay between the metric "shifts", the stressed syllables and caesuras is an integral part of the poetry. It allows the poet to stress certain words and shape the meaning of the poem. There are two main divisions within the meters of ancient Greek poetry: lyric and non-lyric meters.
Ibycus (/ ˈ ɪ b ɪ k ə s /; Ancient Greek: Ἴβυκος; fl. 2nd half of 6th century BC) was an Ancient Greek lyric poet, a citizen of Rhegium in Magna Graecia, probably active at Samos during the reign of the tyrant Polycrates [1] and numbered by the scholars of Hellenistic Alexandria in the canonical list of nine lyric poets.
The Sapphic stanza, named after the Ancient Greek poet Sappho, is an Aeolic verse form of four lines. Originally composed in quantitative verse and unrhymed, since the Middle Ages imitations of the form typically feature rhyme and accentual prosody. It is "the longest lived of the Classical lyric strophes in the West". [1]
Lyric poetry is a form of poetry that expresses a subjective, personal point of view Lyric, from the Greek language, a song that is played with a lyre Lyric describes, in the classification of the human voice in European classical music, a specific vocal weight and a range at the upper end of the given voice part
Especially through the influence of Horace, Aeolic forms have sometimes been employed in post-Classical poetry. For example, Asclepiads have been used by Sidney and W.H. Auden. Poets in English such as Isaac Watts, William Cowper, Algernon Charles Swinburne, Allen Ginsberg, and James Wright have used the Sapphic stanza.