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Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Horimono can also refer to the practice of traditional tattooing in Japanese culture; while irezumi usually refers to any tattooing (and often has negative connotations in Japan), "horimono" is usually used to describe full-body tattoos done in the traditional style. [2]
Hanakotoba (花言葉) is the Japanese form of the language of flowers. The language was meant to convey emotion and communicate directly to the recipient or viewer without needing the use of words. The language was meant to convey emotion and communicate directly to the recipient or viewer without needing the use of words.
The lotus flower has a rich, layered meaning that dates back centuries and spans ayurveda to art history. Learn why the lotus flower is such a powerful symbol.
Horiyoshi III (Japanese: 三代目彫よし, Hepburn: Sandaime Horiyoshi, born 1946 as Yoshihito Nakano (中野 義仁)) is a horishi (tattoo artist), specializing in Japanese traditional full-body tattoos, or "suits," called Irezumi or Horimono.
The sacred lotus flower is an aquatic perennial plant that typically blooms vibrant petals of pink and white shades. It is one of the most beautiful plants to look at, but the lotus flower thrives ...
Horiyasu executes only large-scale pieces. [12] [11] His style is described as bold and striking.[20]He is mainly focused on traditional tattooing themes such as Buddhist deities, dragons, tigers, samurai warriors, historical protective personalities, water and floral motifs (such as goldfish and peonies or carps), working mostly for male clients.
"Hasu no Hana" (Japanese: 蓮の花, "Lotus Flower") (Japanese pronunciation: [hasɯnohana]) is a song by Japanese band Sakanaction from their seventh studio album, 834.194 (2019). The song was used as the theme song of the film Close Range Love (2014) starring Tomohisa Yamashita and Nana Komatsu.