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The True Vine (Greek: ἡ ἄμπελος ἡ ἀληθινή hē ampelos hē alēthinē) is an allegory or parable given by Jesus in the New Testament. Found in John 15:1–17, it describes Jesus' disciples as branches of himself, who is described as the "true vine", and God the Father the "husbandman".
The chapter introduces the extended metaphor of Christ as the true vine. The Father is the vinedresser, vinegrower or husbandman. [9] His disciples are said to be branches (Greek: τα κληματα, ta klémata, specifically meaning vine branches) [10] which must 'abide' in him if they are to 'bear
Christ the True Vine, 16th century Greek icon. This part is a meditation on Jesus as the source of life for the community and builds on the pattern of discipleship in the gospels. [4] [5] In the beginning Jesus states: "I am the true vine", leading to the use of the term The Vine to refer to this teaching. [4]
Christ the Vine is associated with the parable or allegory of the True Vine. It is referenced heavily in John 15:1–17. Jesus refers to his followers as branches of himself. The work is a pictorial representation of the parable of the True Vine. The theme was copied by countless painters. Angelo’s paintings were the earliest versions.
The True Vine theme is also part of the New Testament. It is a parable or allegory found in John 15:1–17. It describes Jesus's disciples as branches of himself. The Moskos version Christ the Vine is an identical copy of a painting in the Byzantine and Christian Museum identified by historians as a mid-16th-century icon created by an unknown ...
The Klosterneuburg Altar, made in 1181 by Nicholas of Verdun, includes the scene with this meaning. [23] Another biblical theme linked to the winepress referenced by commentators was the allegory of the "Vineyard of God" or "True Vine", found in Isaiah 27:2–5, John 15:1 and Matthew 21:33–45, understood as a metaphor for the church. [24]
In Christian iconography plants appear mainly as attributes on the pictures of Christ or the Virgin Mary. Christological plants are among others the vine , the columbine , the carnation and the flowering cross, which grows out of an acanthus plant surrounded by tendrils.
The branches of the Gospel tree which have grown of the grain of mustard seed, I suppose to signify the various dogmas in which each of the birds (as explained above) takes his rest. Let us then take the wings of the dove, that flying aloft we may dwell in the branches of this tree, and may make ourselves nests of doctrines, and soaring above ...