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The painting represents the allegorical victory of Christianity over Death (depicted as a skull) and Sin (depicted as a snake). It was formerly thought to have been painted around 1615, but more recent stylistic comparisons with similar Rubens works have indicated that it was more likely to have been painted slightly later, i.e. around 1618.
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
Christ and the Penitent Sinners or Christ with the four great penitents is an oil on canvas painting by Peter Paul Rubens, executed in 1617. It is now in the Alte Pinakothek in Munich . The painting depicts Jesus Christ with an adoring Mary Magdalene , Saint Peter (who denied Christ three times), Dismas (the penitent thief from the Crucifixion ...
In Early Netherlandish painting of the 15th century the three crosses often appear in the background of the painting, a short distance from the scene. Gerard David - Lamentation Lamentations did not appear in art north of the Alps until the 14th century, but then became very popular there, and Northern versions further developed the centrality ...
The painting emphasizes Jesus Christ's sacrifice, and uses the witnesses to show recognition of the event of his death as a clear reference to new Lutheran theology; sinful mankind is only redeemed through Christ, not through the Catholic church.
Jesus and the woman taken in adultery is a biblical episode from John 8:1–8:20 where Jesus encounters an adulteress brought before Pharisees and scribes, which has been depicted by many artists. Such a crime was punishable by death by stoning ; however, in the scene, Jesus stoops to write (in Dutch) he that is without sin among you, let him ...
Painting of the parable, by Jacob Willemszoon de Wet, mid-17th century. The Parable of the Workers in the Vineyard (also called the Parable of the Laborers in the Vineyard or the Parable of the Generous Employer) is a parable of Jesus which appears in chapter 20 of the Gospel of Matthew in the New Testament.
In art, the subject was first depicted as one of a series of Passion scenes, but from the 15th century onwards it was also painted in individual works. The most-discussed single work is the enigmatic Flagellation of Christ on a small panel in Urbino by Piero della Francesca (1455–1460), the precise meaning of which has eluded generations of ...