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Its chord progression (although often reduced to a standard 32-bar structure for the sake of improvised solos) is known as the "rhythm changes" and is the foundation for many other popular jazz tunes. The song was used as the theme in Gershwin's last concert piece for piano and orchestra, Variations on "I Got Rhythm", written in 1934. The song ...
Variations on "I Got Rhythm" is a set of variations for orchestra and piano solo composed by George Gershwin in 1933–34. The piece is dedicated "to [his] brother Ira". Gershwin composed the new piece for his forthcoming concert tour with the Leo Reisman Orchestra, as an alternative to his Rhapsody in Blue and Concerto in F.
I Got Rhythm is a studio album by American jazz pianist Teddy Wilson featuring ... "I Got Rhythm" (George Gershwin, Ira ... This page was last edited on 11 July ...
Rhapsody in Blue (1924), Gershwin's most famous classical work, a symphonic jazz composition for Paul Whiteman's jazz band & piano, premiered at Aeolian Hall, New York City, better known in the form orchestrated for full symphonic orchestra. Both versions were orchestrated by Ferde Grofé. Featured in numerous films and commercials.
The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...
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Variations on "I Got Rhythm" for piano and orchestra (1934) Catfish Row for orchestra (1936), a suite based on music from Porgy and Bess; Shall We Dance (1937), a movie score feature-length ballet; Solo piano. Three Preludes (1926) George Gershwin's Song-book (1932), solo piano arrangements of 18 songs; Operas. Blue Monday (1922), one-act opera
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