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A great deal of writing has been done on the subject. The subject of the Ideal Woman has been treated humorously, [9] [10] theologically, [11] and musically. [12] Examples of "ideal women" are portrayed in literature, for example: Sophie, a character in Jean-Jacques Rousseau's Emile: or, On Education (book V) who is raised to be the perfect ...
A socialite is a person, typically a woman from a wealthy or aristocratic background, who is prominent in high society. [1] A socialite generally spends a significant amount of time attending various fashionable social gatherings, instead of having traditional employment. [2] [3] [4]
Women in Ancient Greece wore himations; and in Ancient Rome women wore the palla, a rectangular mantle, and the maphorion. [ 54 ] The typical feminine outfit of aristocratic women of the Renaissance was an undershirt with a gown and a high-waisted overgown, and a plucked forehead and beehive or turban-style hairdo.
The Cinderella complex was first described by Colette Dowling, [1] who wrote a book on women's fear of independence – an unconscious desire to be taken care of by someone else. The complex is said to become more apparent as a person grows older. [2] [better source needed]
Circassian ancestry was not required, as in this example of a Black woman. The combination of the popular issues of slavery, the Orient, racial ideology, and sexual titillation gave the reports of Circassian women sufficient notoriety at the time that the circus leader P. T. Barnum decided to capitalize on this interest.
Positive traits were assigned to men by participants of both genders, but to a far lesser degree. The authors supposed that the positive general evaluation of women might derive from the association between women and nurturing characteristics. This bias has been cited as an example of benevolent sexism. [1]
For example, Sallie Ward, who was born into the planter class of Kentucky in the Antebellum South, was called a Southern belle. [ 3 ] Dick Pope Sr. , promoter of Florida tourism, played an important role in popularizing the archetypal image. [ 4 ]
Lauren Bacall with Humphrey Bogart in To Have and Have Not (1944), where Bacall portrays a wanderer named after Howard Hawks's wife Slim Keith. In film theory, the "Hawksian woman" is a character archetype of the tough-talking woman, popularized in film by director Howard Hawks through his use of actresses such as Katharine Hepburn, [1] Ann Dvorak, Rosalind Russell, [2] Barbara Stanwyck, [3 ...