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Damascus, 1880. He was born in Busseto.His father was a commissioner for his district, a post analogous to a sub-prefect. [2] After the death of his father in 1828, he and his mother moved to Parma, where Pasini enrolled, at the age of 17 years, in the Academy of Fine Art of Parma.
Jacob Willemszoon de Wet or Jacob Willemsz. de Wet the Elder (c. 1610 – between 1675 and 1691 [1]) was a Dutch Golden Age painter whose works were largely influenced by Rembrandt. [ 2 ] Biography
Digital painting is the creation of imagery on a computer, using pixels (picture elements) which are assigned a color. The process uses raster graphics rather than vector graphics , and can render graduated or blended colors in imagery which mimics traditional drawing and painting media.
Drip painting is a form of art, often abstract art, in which paint is dripped or poured on to the canvas. [1] This style of action painting was experimented with in the first half of the twentieth century by such artists as Francis Picabia , André Masson and Max Ernst , who employed drip painting in his works The Bewildered Planet , and Young ...
Tingatinga is traditionally made on masonite, using several layers of bicycle paint, which makes for brilliant and highly saturated colours.Many elements of the style are related to the requirements of the tourist-oriented market; for example, the paintings are usually small so they can be easily transported, and subjects are intended to appeal to Europeans and Americans (e.g. the big five and ...
De prospectiva pingendi (On the Perspective of Painting) is the earliest and only pre-1500 Renaissance treatise solely devoted to the subject of perspective. [1] It was written by the Italian master Piero della Francesca in the mid-1470s to 1480s, [ 2 ] and possibly by about 1474. [ 3 ]
Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist.