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The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the ...
It used split-16 reels (2.5" diameter, 100') of magnetic tape, sprocketed for 16mm film. A camera (Bolex, Kodak Cine Special, B&H 70, Pathe Webo; and factory-modified Auricons or Arri's) is docked to the top of the Nomad. A mechanical transmission interlock cable to the single frame-per=turn gear of the camera, and to the Nomad.
A 16 mm "reel" is 400 feet (122 m). It runs, at sound speed, approximately the same amount of time (11–12 minutes) as a 1,000-foot (305 m) 35 mm reel. A "split reel" is a motion picture film reel in two halves that, when assembled, hold a specific length of motion picture film that has been wound on a plastic core.
The most popular home content were comedic shorts (typically less than 20 minutes in length in the original release) and bundles of cartoons previously seen in movie theaters. 16 mm enjoys widespread use today as a format for short films, independent features and music videos, being a relatively economical alternative to 35 mm. 16 mm film was a ...
Jobo 16mm/110 dueset plastic reel. The user begins by opening the film canister (in the case of 35 mm film) or separating the film from a paper backing (in the case of medium format film, e.g. 120/220 format). The film is then loaded onto a film reel in a completely dark environment; this can be a light-tight room or a changing bag. Care must ...
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