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Groovy Girls Sleepover Club was a series of short, chapter books for early readers starring the main 6 Groovy Girls, who were Gwen, Reese, O'Ryan, Oki, Vanessa, and Yvette. The books each contained 80 pages and a few illustrations.
The video was shot in her friend's garden and posted in February 2007. She has since shot three more Groovy Dancing Girl videos. Her videos have received more than nine million hits. [4] Her short film "Solo Duet" was funded by the Irish Film Board and was shown in October 2009 at the Darklight Film Festival, a digital film festival. [5]
Gary Wilson went to Albert Grossman's Bearsville Studios in Woodstock, New York, in 1976, a well-known recording studio that has played host to sessions by Bob Dylan, R.E.M., Patti Smith, The Rolling Stones and many other notable acts.
Songs For Groovy Children: The Fillmore East Concerts is a chronologically sequenced collection of American musician Jimi Hendrix's 1969–1970 New Years recorded performances at the Fillmore East in New York City. [6]
"Workin' On a Groovy Thing" is a song written by Neil Sedaka and Roger Atkins which had its highest profile as a 1969 hit single by the 5th Dimension. The song was first recorded by R&B songstress Patti Drew for her 1968 album Workin' on a Groovy Thing and released as a single to reach #34 on the U.S. R&B chart while crossing-over to #62 on the ...
It has been found in print as early as 1946, in Really the Blues, the autobiography of jazz saxophonist Mezz Mezzrow. [2] The word appears in advertising spots for the 1947 film Miracle on 34th Street , and in the same year the phrase “Everything’s groovy” was included on a 78 rpm recording of “ Open The Door, Richard ” sung by Walter ...
"Please Don't Make Me Cry" is a song written and originally recorded by Winston Groovy in 1970. It was first released on Torpedo Records and went on to become the label's most notable release. [ 2 ] The song was re-recorded by Groovy in 1974 for Trojan Records and produced by Sidney Crooks . [ 2 ]
Crewe first heard the song performed in a jingle demo for a Diet Pepsi commercial, and according to Greg Adams, writing for All Music Guide, the song "exemplified the groovy state of instrumental music at that time." [1] In Bob Crewe's version, a trumpet plays the whole verse, the first time around, sounding like Herb Alpert's Tijuana brass style.