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Aaron Douglas (May 26, 1899 – February 2, 1979 [1]) was an American painter, illustrator, and visual arts educator. He was a major figure in the Harlem Renaissance. [2] He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. [3]
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
The Problem We All Live With is a 1964 painting by Norman Rockwell that is considered an iconic image of the Civil Rights Movement in the United States. [2] It depicts Ruby Bridges, a six-year-old African-American girl, on her way to William Frantz Elementary School, an all-white public school, on November 14, 1960, during the New Orleans school desegregation crisis.
African-American art is known as a broad term describing visual art created by African Americans.The range of art they have created, and are continuing to create, over more than two centuries is as varied as the artists themselves. [1]
The Black Arts Movement (BAM) was an African-American-led art movement that was active during the 1960s and 1970s. [3] Through activism and art, BAM created new cultural institutions and conveyed a message of black pride. [4]
The Harlem Artists Guild (1935–41) was an African-American organization founded by artists including Augusta Savage, Charles Alston, Elba Lightfoot, Louise E. Jefferson and bibliophile Arthur Schomburg [1] [2] with the aims of encouraging young talent, providing a forum for the discussion of the visual arts in the community, fostering understanding between artists and the public through ...
Through his employment with the Ponds, Barthé broadened his cultural horizons and knowledge of art, and was introduced to Lyle Saxon, a local writer for the Times Picayune. Saxon was fighting against the racist system of school segregation, and tried unsuccessfully to get Barthé registered in an art school in New Orleans. [7]
Charles Wilbert White, Jr. (April 2, 1918 – October 3, 1979) was an American artist known for his chronicling of African American related subjects in paintings, drawings, lithographs, and murals.