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St. Louis ("Blues") Bounce [1] [2] [3] is a hip-hop music sound made popular in the first decade of the 2000s by hip-hop artists and musical production teams in St. Louis, Missouri. The style is distinguished primarily by melodic sing-song rapping over rhythmic bouncy beats laced with strictly-incorporated “ bluesy ” (or “ country ...
Sampling is one of the foundations of hip hop, which emerged in the 1980s. [34] Hip hop sampling has been likened to the origins of blues and rock, which were created by repurposing existing music. [24] The Guardian journalist David McNamee wrote that "two record decks and your dad's old funk collection was once the working-class black answer ...
Rolling Stone placed it at number 181 on their list of the 200 greatest hip hop albums of all time, naming it "the greatest hip-hop compilation ever". [28] Fact magazine placed Soundbombing II at number 8 on their list of the 100 best indie hip hop records of all time, stating that it was a "lesson in the art and science of putting together ...
In modern hip hop, auto-tune has become a defining characteristic and adds a stylized, almost robotic effect to the artist's voice. Occasionally, vocal mixing can also include effects such as saturation or pitch modulation to bring a certain stylistic sound. Mixing the beat in hip hop involves having a strong low-end that complements the vocals ...
Mix pack Release date "All of Me" 50 Cent featuring Mary J. Blige "Radio Ga Ga" Queen: FreeStyleGames: No: Extended Mix Pack 01 [8] Oct. 27, 2009 "DARE" Gorillaz "Can't Truss It" Public Enemy: FreeStyleGames: No: Extended Mix Pack 01 [8] Oct. 27, 2009 "When Love Takes Over" (Beat Juggle) David Guetta featuring Kelly Rowland: n/a: n/a: David ...
Zaytoven, whose beats heavily influenced the emergence of plugg music. The origins of plugg music are traced to the gospel and soul-influenced production style of Zaytoven, [12] and other southern rap influences, such as OutKast, [12] as well as to a loosely related subgenre of hip-hop called Chicago bop, which is a euphoric, fast-paced subgenre of drill music. [13]