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Fräulein is the diminutive form of Frau, which was previously reserved only for married women.Frau is in origin the equivalent of "My lady" or "Madam", a form of address of a noblewoman.
A.H. Weiler, writing for The New York Times, described the film as "a curiously episodic adventure whose parts are far more interesting than the whole drama." [2] Of the stars, he wrote that "Miss Wynter is an appealing, if somewhat docile, heroine", while "the quality of docility is more than marked in Mr. Ferrer", who is "on occasion, restrained to the point of apathy."
"Fraulein" is a 1957 song written by Lawton Williams and sung by Bobby Helms. Released by Decca Records that year, "Fraulein" was Helms's debut single on the U.S. country chart, reaching #1 for four weeks and staying on chart for 52 weeks, the sixth longest song in country music history to spend over 50 weeks on the country singles chart.
His first single in 1957, titled "Fraulein", went to No. 1 on the country music chart and made it into the Top 40 on the Billboard Best Sellers in Stores chart. Later that same year, he released " My Special Angel ", which also hit No. 1 on the country charts and entered the Top 10 on Billboard ' s pop music chart, peaking at No. 7.
Lynn had been in a romantic relationship with Hogan's Heroes costar Bob Crane.She was romantically involved with actor Marlon Brando.After Brando's death in 2004, Lynn's daughter, Lisa, claimed that her mother and Brando's short-lived affair resulted in her birth in 1964.
Hello, Fraulein! (German: Hallo, Fräulein!) is a 1949 German musical film directed by Rudolf Jugert and starring Margot Hielscher, Hans Söhnker and Peter van Eyck. [1] It was made by the Munich-based company Bavaria Film in what would shortly become West Germany.
Mademoiselle de Scuderi. A Tale from the Times of Louis XIV (German: Das Fräulein von Scuderi. Erzählung aus dem Zeitalter Ludwig des Vierzehnten) is a 1819 novella by E. T. A. Hoffmann which was first published in the Yearbook for 1820.
Klimt painted the Portrait of Fräulein Lieser in 1917. The piece was left unsigned in his studio when he died in 1918 and was given to the family. [4]Following a Klimt exhibition in Vienna's Neue Galerie in 1925, the painting passed into a private collection.