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In Betancourt's hands, data moshing becomes a form of cultural resistance. Instead of utilizing the smooth, illusionistic motion of digital cinema, which you would typically see in a commercial movie theater, he deliberately pulls apart the codes and exploits its errors to deconstruct the movies and show us how they do their tricks.
Internal Family Systems Model, a branch of psychotherapy focused on a metaphorical inner family that represents the different modes of human behavior; Family Therapy, a branch of therapy that works with families; Family Systems Theory, a branch of Systems psychology focused on the psychological relationship to ones family; Family System ...
Carl Heinrich Boller (1868–1946) and Robert Otto Boller (1887–1962) are credited with the design of almost 100 classic theaters ranging from small vaudeville venues to grand movie palaces. About 20 Boller Brothers works are listed on the National Register of Historic Places .
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Bowen considered differentiation and triangles the crux of his theory, Bowen Family Systems Theory. Bowen intentionally used the word triangle rather than triad. In Bowen Family Systems Theory, the triangle is an essential part of the relationship. [citation needed] Couples left to their own resources oscillate between closeness and distance.
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
The Internal Family Systems Model (IFS) is an integrative approach to individual psychotherapy developed by Richard C. Schwartz in the 1980s. [ 1 ] [ 2 ] It combines systems thinking with the view that the mind is made up of relatively discrete subpersonalities , each with its own unique viewpoint and qualities.
This work highlighted film semiotics as a new tool in art criticism. The book provided an overview of previous thinkers and defined terms critical to semiotic film theory. “This book is intended as a didactic introduction to the vocabulary of the field, not as a series of interventions in film theory” [1] Part One The Origins of Semiotics