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Internal Family Systems Model, a branch of psychotherapy focused on a metaphorical inner family that represents the different modes of human behavior; Family Therapy, a branch of therapy that works with families; Family Systems Theory, a branch of Systems psychology focused on the psychological relationship to ones family; Family System ...
Bowen considered differentiation and triangles the crux of his theory, Bowen Family Systems Theory. Bowen intentionally used the word triangle rather than triad. In Bowen Family Systems Theory, the triangle is an essential part of the relationship. [citation needed] Couples left to their own resources oscillate between closeness and distance.
In Betancourt's hands, data moshing becomes a form of cultural resistance. Instead of utilizing the smooth, illusionistic motion of digital cinema, which you would typically see in a commercial movie theater, he deliberately pulls apart the codes and exploits its errors to deconstruct the movies and show us how they do their tricks.
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
A type of film distribution in which a film is shown in just a small fraction of the movie theaters available in a region or country, typically only in major metropolitan markets and often at small-scale independently owned theaters; in the U.S. and Canada, a limited release is defined as a film released in less than 600 theaters nationwide.
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Examples of stars who went through the star system include Cary Grant (born Archibald Leach), Joan Crawford (born Lucille Fay LeSueur), and Rock Hudson (born Roy Harold Scherer, Jr.). The star system put an emphasis on the image rather than the acting, although discreet acting, voice, and dancing lessons were a common part of the regimen.
An example of this is the Eiffel Tower, which is a metonym for Paris. Film uses metonyms frequently because they rely on the external to reveal the internal. Another powerful semiotic tool for filmmaking is the use of metaphors, which are defined as a comparison between two things that are unrelated but share some common characteristics.