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"Drain You" is a song by American rock band Nirvana, written by vocalist and guitarist, Kurt Cobain. It is the eighth track on their second album, Nevermind , released in September 1991. The song was released as a promotional single in late 1991, and also appeared as a b-side on UK retail editions of the first single from that album, " Smells ...
The album's first promotional single, for the song "Aneurysm," reached number 11 on the Billboard Mainstream Rock Tracks chart and number 13 on its Modern Rock Tracks chart, while its music video topped the charts on Much Music in Canada. A second promotional single, for the song "Drain You," charted briefly as well.
"Aneurysm" is a song by the American rock band Nirvana, written by vocalist and guitarist Kurt Cobain, bassist Krist Novoselic, and drummer Dave Grohl. It first appeared as a B-side on the band's breakthrough " Smells Like Teen Spirit " single in September 1991.
Audio example of double tracking with 3 guitar parts with drums and bass. Double tracking or doubling is an audio recording technique in which a performer sings or plays along with their own prerecorded performance, usually to produce a stronger or bigger sound than can be obtained with a single voice or instrument.
"Polly" is a song by the American rock band Nirvana, written by vocalist and guitarist Kurt Cobain. It is the sixth song on their second album Nevermind, released by DGC Records in September 1991. The song was written about the abduction, rape, and torture of a 14-year-old girl returning home from a punk rock concert in Tacoma, Washington in 1987.
The Drums [26] May "Forever and Ever, Amen" Surround and The Drums [26] August "Down by the Water" Surround and The Drums [26] October "Me and the Moon" Surround and The Drums [26] 2011 July "Money" M. Blash [27] October "How It Ended" Patrick Roberts [28] 2012 February "Days" Patrick Roberts [29] 2014 July "Magic Mountain" The Drums [30] October
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In his 1993 biography Come As You Are: The Story of Nirvana, Azerrad described the song's title as "an update on Marx's description of religion as the 'opiate of the masses.'" [3] Gillian G. Gaar described it as "a song whose sing-along melody typically masks the disturbing quality of the lyric, which touches on the solace one can find in ...