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Modern photographic triptych. A photographic triptych is a common style used in modern commercial artwork. The photographs are usually arranged with a plain border between them. The work may consist of separate images that are variants on a theme, or may be one larger image split into three. [12] [13] [14]
Triptych Inspired by the Oresteia of Aeschylus 1981 Catalogue Raisonné Number 81-03 Oil on canvas 198 x 147.5cm (78 x 58 in) Astrup Fearnley Museum of Modern Art, Oslo: Triptych 1983 1983 Catalogue Raisonné Number 83-07 Oil, Pastel and Aerosol Paint on Canvas 198 x 147.5cm (78 x 58 in) Private collection of Juan Abelló, Madrid. [12]
The triptych was sold by Marlborough Fine Art to the Norwegian industrialist and art collector Hans Rasmus Astrup in 1984. It was displayed at the Astrup Fearnley Museum of Modern Art in Oslo from its foundation in 1993, until it was deaccessioned and sold in 2020, to put the museum on a stronger financial basis and to enable it to make new acquisitions to diversify its collection.
Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of the paradise lost. He painted three large triptychs (the others are The Last Judgment of c. 1482 and The Haywain Triptych of c. 1516) that can be read from left to right and in which each panel was essential to the meaning ...
As well as being Bacon's first large format triptych, Three Studies for a Crucifixion introduced the later and often repeated visual motif a human body turned inside out. This idea was drawn from a long tradition in art history, and was influenced strongly by Rembrandt's Side of beef and Chaïm Soutine's Carcass of Beef. [5]
Museum of Modern Art, New York Departure is an oil-on-canvas triptych by German artist Max Beckmann begun in Frankfurt in 1932 and completed in Berlin from 1933 to 1935. It was the first of nine triptychs that the artist created.