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The triptych format has been used in non-Christian faiths, including, Judaism, Islam, and Buddhism. For example: the triptych Hilje-j-Sherif displayed at the National Museum of Oriental Art, Rome, Italy, and a page of the Qur'an at the Museum of Turkish and Islamic Arts in Istanbul, Turkey, exemplify Ottoman religious art adapting the motif. [7]
Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of the paradise lost. He painted three large triptychs (the others are The Last Judgment of c. 1482 and The Haywain Triptych of c. 1516) that can be read from left to right and in which each panel was essential to the meaning ...
Triptych, May–June 1973 was purchased at auction in 1989 by Swiss businesswoman Esther Grether for $6.3 million ($15.5 million as of 2023), then a record for a Bacon painting. [7] [8] [9] Grether is believed to own three other Bacon triptychs from the 1970s. Triptych March 1974 1974 Catalogue Raisonné Number 74-02 Oil on canvas 198 x 147.5cm ...
As well as being Bacon's first large format triptych, Three Studies for a Crucifixion introduced the later and often repeated visual motif a human body turned inside out. This idea was drawn from a long tradition in art history, and was influenced strongly by Rembrandt's Side of beef and Chaïm Soutine's Carcass of Beef. [5]
The triptych was sold by Marlborough Fine Art to the Norwegian industrialist and art collector Hans Rasmus Astrup in 1984. It was displayed at the Astrup Fearnley Museum of Modern Art in Oslo from its foundation in 1993, until it was deaccessioned and sold in 2020, to put the museum on a stronger financial basis and to enable it to make new acquisitions to diversify its collection.
Oil on canvas, 198 × 147 cm. Collection of Esther Grether. Triptych, May–June 1973 is a triptych completed in 1973 by the Irish-born artist Francis Bacon (1909–1992). The oil-on-canvas was painted in memory of Bacon's lover George Dyer, who committed suicide on the eve of the artist's retrospective at Paris's Grand Palais on 24 October 1971.