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The triptych format has been used in non-Christian faiths, including, Judaism, Islam, and Buddhism. For example: the triptych Hilje-j-Sherif displayed at the National Museum of Oriental Art, Rome, Italy, and a page of the Qur'an at the Museum of Turkish and Islamic Arts in Istanbul, Turkey, exemplify Ottoman religious art adapting the motif. [7]
The Three Studies are generally considered Bacon's first mature piece; [3] he regarded his works before the triptych as irrelevant, and throughout his life tried to suppress their appearance on the art market. When the painting was first exhibited in 1945 it caused a sensation and established him as one of the foremost post-war painters.
Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of the paradise lost. He painted three large triptychs (the others are The Last Judgment of c. 1482 and The Haywain Triptych of c. 1516) that can be read from left to right and in which each panel was essential to the meaning ...
Some definitions restrict "polyptych" to works with more than three sections: [1] a diptych is a two-part work of art; a triptych is a three-part work; a tetraptych or quadriptych has four parts. The great majority of historical examples are paintings with religious subjects, but in the 20th century the format became popular again for portraits ...
Francis Bacon, Three Studies for a Crucifixion, 1962, Guggenheim Museum in New York Three Studies for a Crucifixion is a 1962 triptych oil painting by Francis Bacon.It was completed in March 1962 and comprises three separate canvases, each measuring 198.1 by 144.8 centimetres (6 ft 6.0 in × 4 ft 9.0 in).
The Stavelot Triptych is a three-part winged shrine; with the wings open its dimensions are 19 in (480 mm) in height by 26 in (660 mm) in width. [1] In such a triptych, the outer wings protect (when swung shut) the middle section, which contains two smaller triptychs, each containing pieces of the True Cross.