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Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
Certosina patterns around the larger carved bone panels in a casket by the Embriachi workshop Certosina is a decorative art technique of inlaying used widely in the Italian Renaissance period. Similar to marquetry , it uses small pieces of wood, bone, ivory, metal, or mother-of-pearl to create inlaid geometric patterns on a wood base. [ 1 ]
The patterns it used influenced European ornament in the Renaissance, through the Moresque style. [ 9 ] Girih is an Islamic decorative art form used in architecture and handicrafts (book covers, tapestry, small metal objects) from the 8th century onwards.
Hedebo styles have developed over the years, first by the farming women and later by embroidery experts living in the more wealthy areas of Copenhagen. The earlier styles (1700–1870), known as Hedebosyning (Hedebo sewing), consisted of white linen work for creating articles for private use. [2] They can be classified under seven distinct ...
A sewing pattern is the template from which the parts of a garment are traced onto woven or knitted fabrics before being cut out and assembled. Patterns are usually made of paper, and are sometimes made of sturdier materials like paperboard or cardboard if they need to be more robust to withstand repeated use. Before the mid-19th century, many ...
Pattern for a simple Assisi bird motif. Assisi embroidery is a form of counted-thread embroidery based on an ancient Italian needlework tradition in which the background is filled with embroidery stitches and the main motifs are outlined but not stitched. The name is derived from the Italian town of Assisi where the modern form of the craft ...
While plain sewing was often handed over to servants, even in middle class households, fancy work would often be done while entertaining guests, in the afternoons, evenings, or on Sundays. The types of goods that could be decorated with needlework techniques was limited only by the imagination: knitted boots, embroidered book covers, footstools ...
With England and France mired in the Hundred Years War and its aftermath and then the English Wars of the Roses through most of the 15th century, European fashion north of the Alps was dominated by the glittering court of the Duchy of Burgundy, especially under the fashion-conscious power-broker Philip the Good (ruled 1419–1469).