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Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
The pourpoint featured many sewing techniques unseen in 21st century clothes. These include the ogee shaped front panels which make the torso rounder by forcing the belly inwards, [ 10 ] an armscye big enough to cover part of the ribs and chest (grande assiette style) and curved sleeves designed to allow mobility despite the light padding and ...
The patterns it used influenced European ornament in the Renaissance, through the Moresque style. [ 9 ] Girih is an Islamic decorative art form used in architecture and handicrafts (book covers, tapestry, small metal objects) from the 8th century onwards.
A sewing pattern is the template from which the parts of a garment are traced onto woven or knitted fabrics before being cut out and assembled. Patterns are usually made of paper, and are sometimes made of sturdier materials like paperboard or cardboard if they need to be more robust to withstand repeated use. Before the mid-19th century, many ...
Hedebo styles have developed over the years, first by the farming women and later by embroidery experts living in the more wealthy areas of Copenhagen. The earlier styles (1700–1870), known as Hedebosyning (Hedebo sewing), consisted of white linen work for creating articles for private use. [2] They can be classified under seven distinct ...
Fragment of Milanese bobbin lace, dating from the 17th century Milano, bobina di pizzo per balza da camice, in punto di milano, 1650-1700 ca. 02. Milanese bobbin lace is a textile used as a fashion accessory or a decorative trim, first becoming popular in the 17th and 18th centuries in Milan.