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Eugen Berthold Friedrich Brecht [a] (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet.. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Elisabeth Hauptmann and Kurt Weill and began a life-long ...
When Brecht died in 1956, the Berliner Ensemble still had not produced Fear and Misery in the Third Reich – which at various times was also called 99% and The Private Life of the Master Race – but Brecht had prepared it for publication, which came out in 1957. That same year, scenes from the work were staged by five young directors of the ...
The Threepenny Opera [a] (Die Dreigroschenoper [diː dʁaɪˈɡʁɔʃn̩ˌʔoːpɐ]) is a 1928 German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, [1] and four ballads by François Villon, with music by Kurt Weill.
A Moritat is a medieval version of the murder ballad performed by strolling minstrels.In The Threepenny Opera, the Moritat singer with his street organ introduces and closes the drama with the tale of the deadly Mackie Messer, or Mack the Knife, a character based on the dashing highwayman Macheath in John Gay's The Beggar's Opera (who was in turn based on the historical thief Jack Sheppard).
Brecht, in his typical anti-realist style, uses the device of a "play within a play".The "frame" play is set in the Soviet Union around the end of the Second World War.It shows a dispute between two communes, the Collective Fruit Farm Galinsk fruit growing commune and the Collective Goat Farmers, over who is to own and manage an area of farm land after the Nazis have retreated from a village ...
Die Dreigroschenoper and Happy End premiered in Berlin in 1928 and 1929 respectively, both at the Schiffbauerdamm Theatre, but twenty years before the founding of the Berliner Ensemble. Brecht wrote no new plays for the Berliner Ensemble, but remounted previously staged plays, premiering with Mother Courage and Her Children in 1949.
Originally, Brecht planned to call the play The Product Love (Die Ware Liebe), meaning "love as a commodity". This title was a play on words, since the German term for "true love" (Die wahre Liebe) is pronounced the same way. [5]
Kurt Weill in 1932. Kurt Julian Weill (March 2, 1900 – April 3, 1950) was a German-born American composer [a] [2] active from the 1920s in his native country, and in his later years in the United States. [3]