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This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand ...
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...
Prizma gave a demonstration of color motion pictures in 1917 that used an additive four-color process, using a disk of four filters acting on a single strip of panchromatic film in the camera. The colors were red, yellow, green, and blue, with overlapping wavelengths to prevent pulsating effects on the screen with vivid colors.
In color film, this backing is "rem-jet", a black-pigmented, non-gelatin layer which is removed in the developing process. [32] Eastman Kodak manufactures film in 54-inch (1,372 mm) wide rolls. These rolls are then slit into various sizes (70 mm, 65 mm, 35 mm, 16 mm) as needed.
The matrices, which are relief gelatine images on a film support (one for each subtractive primary color) absorb dye in proportion to the optical densities of the gelatin relief image. Successive placement of the dyed film matrices, one at a time, "transfers" each primary dye by physical contact from the matrix to a mordanted, gelatin-coated ...
Color transfer processing can serve two different purposes: one is calibrating the colors of two cameras for further processing using two or more sample images, the second is adjusting the colors of two images for perceptual visual compatibility. Color calibration is an important pre-processing task in computer vision applications. Many ...
A processing variation called skip bleach, most popular in motion picture negative processing, leaves the silver image partially or completely intact, yielding a type of contrast enhancement. The most common chromogenic processes are C-41 for color (and chromogenic black-and-white ) negative film, RA-4 for color negative paper (see Type C print ...
C-41 is a chromogenic color print film developing process introduced by Kodak in 1972, [1] superseding the C-22 process.C-41, also known as CN-16 by Fuji, CNK-4 by Konica, and AP-70 by AGFA, is the most popular film process in use, with most, if not all photofinishing labs devoting at least one machine to this development process.