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The following movies were filmed using 65mm or 70mm negative stock. Titles are followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System 65 (also known as Panavision Super 70), Dimension 150, Arri 765 and Superpanorama 70 (also known as MClS 70 and MCS Superpanorama 70) were photographed with ...
This is a list of films shot partially or in full with IMAX cameras, either on 15/70 film, with the Phantom 65 IMAX 3D, with the ARRI Alexa IMAX, with other IMAX-certified digital cameras or IMAX Live Events shot with IMAX-certified cameras. Films that may have been projected onto IMAX screens using a standard 35mm print, such as Star Wars ...
48-minute arena sequence shot with IMAX 70mm cameras. [212] [213] The Hobbit: The Desolation of Smaug: 13 December 2013 *** In 3D. Presented in Standard 24p and HFR (48p). Aspect ratio opened up to 2.00:1 for the entire film for IMAX 70mm prints. The last IMAX 3D 70mm DMR release on standard IMAX screens. Dhoom 3: 20 December 2013 ** First ...
It will be shown in 70mm Imax prints, as … However, the sci-fi epic is flying back to theaters slightly behind schedule. The Paramount Pictures film was slated to return on Sept. 27 but will ...
Opportunities to catch the film in Imax 70mm include seven locations in California, two in London and one each in many cities including Dallas, Indianapolis, Nashville, Providence, R.I., and New ...
UPDATE: “The Brutalist” is coming to Imax. Tickets for early-access screenings in New York and Los Angeles on Dec. 18 are available for purchase. The film will then expand to Imax screens ...
Hollywood has released films shot on 35 mm as IMAX blow-up versions. Many 3D films were shown in the 70 mm IMAX format. The Polar Express in IMAX 3D 70 mm earned 14 times as much, per screen, as the simultaneous 2D 35 mm release of that film in the fall of 2004.
Special optics were used to project the 70 mm prints onto a deeply curved screen to mimic the effect of the original three-strip Cinerama process. Unlike formats such as Super 16 and Super 35 , the "super" designation does not denote a modification of the film frame, but was rather to distinguish it as being of superior quality to 35 mm ...