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Night Fades Away is the fifth solo studio album by Nils Lofgren, released in September 1981 through Backstreet and MCA Records.It was produced by Jeffrey Baxter and reached the top 50 in Sweden and the UK, also charting in the top 100 in Australia and the US.
Night After Night (1977) Nils (1979) Night Fades Away (1981) Professional ratings; Review scores; Source Rating; ... Nils is the fourth solo studio album by Nils ...
This is a set category.It should only contain pages that are Nils Lofgren albums or lists of Nils Lofgren albums, as well as subcategories containing those things (themselves set categories).
Nils Hilmer Lofgren (born June 21, 1951) [1] is an American rock musician, recording artist, songwriter, and multi-instrumentalist. Along with his work as a solo artist, he has been a member of Bruce Springsteen's E Street Band since 1984, a member of Crazy Horse, and founder/frontman of the band Grin.
Shannon also sang on the remake of "I Go to Pieces" by Nils Lofgren on his 1981 album Night Fades Away. Del Shannon's final remake of "I Go To Pieces" appeared on his album Rock On!, which was posthumously released by Jeff Lynne in 1991. It features a leaner arrangement (with Del Shannon not harmonizing with himself), little or no reverb on the ...
Though the ambitious tour was booked to promote Young's hugely successful Harvest album, Young also used the setlists to introduce several new songs. In addition to the eight songs that would eventually make up Time Fades Away, he also debuted the songs "Borrowed Tune", "New Mama" and "Lookout Joe", all of which see release on Tonight's the Night as well as "Come Along and Say You Will" and ...
This is a set category.It should only contain pages that are Backstreet Records albums or lists of Backstreet Records albums, as well as subcategories containing those things (themselves set categories).
Nils Lofgren is a 1975 album by Nils Lofgren, also known as the "Fat Man Album".It was his first solo album, following the breakup of his group, Grin. The album was critically praised at the time of its release, most notably in a 1975 Rolling Stone review by Jon Landau.