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TidalCycles (also known as Tidal) is a live coding environment which is designed for improvising and composing music. Technically, it is a domain-specific language embedded in the functional programming language Haskell, and is focused on the generating and manipulating audiovisual patterns.
Comma separated strings represent separate voice channels. Music hardware expansions such as MSX-Music, MSX-Audio and MSX-MIDI expand PLAY-command so that also FM-chips and external MIDI devices can be controlled through MML. Sharp Pocket computer music routine PLAYX - MyArchive.Nihongo -> ja:ポケットコンピュータの製品一覧.
Computer music systems and approaches are now ubiquitous, and so firmly embedded in the process of creating music that we hardly give them a second thought: computer-based synthesizers, digital mixers, and effects units have become so commonplace that use of digital rather than analog technology to create and record music is the norm, rather ...
There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. [1] Music programming is the process in which a ...
Common Lisp Music (CLM), a music synthesis and signal processing package in the Music V family; Csound, a MUSIC-N synthesis language released under the LGPL with many available unit generators; Extempore, a live-coding environment that borrows a core foundation from the Impromptu environment
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.