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Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument. [1] Among the most famous of secular poetry is Carmina Burana, a manuscript collection of 254 poems.
Medieval literature is a broad subject, encompassing essentially all written works available in Europe and beyond during the Middle Ages (that is, the one thousand years from the fall of the Western Roman Empire ca. AD 500 to the beginning of the Renaissance in the 14th, 15th or 16th century, depending on country).
Middle English literature is written, then, in the many dialects that correspond to the history, culture, and background of the individual writers. While Anglo-Norman or Latin was preferred for high culture and administration, English literature by no means died out, and a number of important works illustrate the development of the language.
Old English literature refers to poetry (alliterative verse) and prose written in Old English in early medieval England, from the 7th century to the decades after the Norman Conquest of 1066, a period often termed Anglo-Saxon England. [1]
Evidence for this appears in a variety of Middle English poetry, especially Geoffrey Chaucer's The Canterbury Tales. Many of Chaucer's lines bear an uncanny resemblance to Middle English lyrics. Since these lyrics were written in a clear medieval Latin, scholars infer that these authors were likely clerics, familiar with other languages as well.
Medieval debate poetry was a genre of poems popular in England and France during the late medieval period. The same type of debate poems broadly existed in the ancient and medieval Near Eastern literatures. Essentially, a debate poem depicts a dialogue between two natural opposites (e.g. sun vs. moon, winter vs. summer). [1]
Pages in category "Medieval poetry" The following 52 pages are in this category, out of 52 total. This list may not reflect recent changes. ...
Magoun thought that formulaic poetry was necessarily oral in origin. That sparked a major and ongoing debate over the extent to which Old English poetry, which survives only in written form, should be seen as, in some sense, oral poetry. The oral-formulaic theory of composition has now been applied to a wide variety of languages and works.