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A veil called flammeum was the most prominent feature of the costume worn by the bride at Roman weddings. [10] The veil was a deep yellow color reminiscent of a candle flame. The flammeum also evoked the veil of the Flaminica Dialis , the Roman priestess who could not divorce her husband, the high priest of Jupiter , and thus was seen as a good ...
The flammeum, a type of bridal veil, was a staple component of the bridal hairstyle in ancient Rome. [38] During the 1st-century, the Roman author Catullus continues to utilize the term flammeum to refer to both the covering and the bride: in Catullus 61, he instructs children to "Raise high, O boys, the torches: I see the gleaming veil approach."
High-status brides were veiled in the same saffron-yellow flammeum as the Flamenica Dialis, priestess of Jupiter and wife to his high priest. Vestals wore a white, purple-bordered suffibulum (veil) when travelling outdoors, performing public rites or offering sacrifices. Respectable matrons were also expected to wear veils in public.
It was a deep, bright and fiery yellow-orange, and was associated with purity and constancy. It was used for the flammeum (meaning "flame-coloured"), a veil used by Roman brides and the Flaminica Dialis, who was virgin at marriage and forbidden to divorce. [98] Specific colours were associated with chariot-racing teams and their supporters.
The bride's veil is the modern form of the flammeum or large yellow veil that completely enveloped the Greek and Roman brides during the ceremony. Such a covering is still in use among the Jews and the Persians.
Engraving depicting the marriage of the Duke of Bourbon and Mademoiselle de Nantes at Versailles in 1685, with a nuptial veil held over the couple. The nuptial veil, which is also referred to as the care cloth, carde clothe or wedding canopy, is an ancient Christian wedding tradition where a cloth is held over the heads of the bride and groom during the Nuptial Blessing.
A front quarter view of the sculpture. The Veiled Vestal (Italian: La vestale velata) is an 1847 sculpture by Raffaelle Monti.It was commissioned by William Cavendish, 6th Duke of Devonshire during an 1846 trip to Naples.
In ancient Rome, confarreatio was a traditional patrician form of marriage. [1] The ceremony involved the bride and bridegroom sharing a cake of emmer, in Latin far or panis farreus, [2] [3] hence the rite's name.