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Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
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Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. [1] [2]Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. [3]
Download as PDF; Printable version; In other projects Wikimedia Commons ... This is a list of notable compositions for the flute (particularly the Western concert ...
Hymn-style arrangement of "Adeste Fideles" in standard two-staff format (bass staff and treble staff) for mixed voices Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
It is scored for solo flute and strings [1] [2] and was premièred on 24 January 1950 by soloist Jean-Pierre Rampal. [3] Jolivet wrote a concerto for flute and percussion in 1965. [4] The work lasts about 13 minutes. [3] It is now part of the standard flute repertoire and several prominent flautists have recorded it.
Music for Flute, Strings, and Percussion is a piece written by Sofia Gubaidulina in 1994 dedicated to Pierre-Yves Artaud. The instruments are divided into two sections, one of which is tuned a quarter-tone lower than the other. [1] Gubaidulina (2001) describes, "in this way the potential of treating both halves as 'light' and 'shadow' emerges."