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Etruscan vase paintings were produced from the 7th through the 4th centuries BC, and is a major element in Etruscan art. It was strongly influenced by Greek vase painting , followed the main trends in style, especially those of Athens , over the period, but lagging behind by some decades.
Etruscan sculpture was one of the most important artistic expressions of the Etruscan people, who inhabited the regions of Northern Italy and Central Italy between about the 9th century BC and the 1st century BC. Etruscan art was largely a derivation of Greek art, although developed with many characteristics of its own. [1]
The high-relief of the "Tarquinia Winged Horses" is a fragment of the colonnade that supported the pediment of the most important temple of the ancient Etruscan city of Tarquínia, at the Ara della Regina, better known as the Major Temple of Tarquínia. Nowadays situated at the Province of Viterbo (region of Lazio, Italy). [1] [2]
The tomb paintings conforming to this style consisted of two elements. First, they depicted architectural details of an open pavilion, which would have been erected near the tomb to host the funeral banquet. Second, they depicted the funeral celebrations of the Etruscans. The artists aimed to recreate the view of the celebrations from the pavilion.
It is the earliest example of a tomb with complex frescoes in the necropolis, [5] and the stylistic elements are derived from Ionian Greek culture. Along with the frescoes of the Tomb of the Whipping these paintings are relatively rare examples of explicit sexual scenes in Etruscan art, which were far more common in Ancient Greek art. [6]
The period was marked by wars and conflicts across what is today’s Tuscany, Umbria and Lazio regions, and yet, the bronze statues show evidence that Etruscan and Roman families prayed together ...