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  2. Fat object (geometry) - Wikipedia

    en.wikipedia.org/wiki/Fat_object_(geometry)

    The slimness factor of a 10-by-1 rectangle is 10. The slimness factor of a circle is √2. Hence, by this definition, a square is 1-fat but a disk and a 10×1 rectangle are not 1-fat. A square is also 2-fat (since its slimness factor is less than 2), 3-fat, etc. A disk is also 2-fat (and also 3-fat etc.), but a 10×1 rectangle is not 2-fat.

  3. Aspect ratio (image) - Wikipedia

    en.wikipedia.org/wiki/Aspect_ratio_(image)

    DVD producers can also choose to show even wider ratios such as 1.66:1, 1.75:1, 1.77:1 and 1.78:1 [1] within the 16:9 DVD frame by hard matting or adding black bars within the image itself. The 16:9 aspect ratio was used often in British TVs in the United Kingdom in the 1990s, and is also used in smartphones, laptops, and desktops.

  4. Univisium - Wikipedia

    en.wikipedia.org/wiki/Univisium

    The Univisium camera would use an aperture opening of 24mm × 12mm (.945" × .472") and three perforations per frame, [7] which would eliminate the waste associated with 2.40:1 Super 35 mm photography (wherein nearly 50% of the frame is discarded) [citation needed] by creating a natural 2.00:1 aspect ratio utilizing the whole film area.

  5. Anamorphic widescreen - Wikipedia

    en.wikipedia.org/wiki/Anamorphic_widescreen

    Original, Anamorphic and letterbox. Anamorphic widescreen (also called full-height anamorphic or FHA) is a process by which a widescreen image is horizontally compressed to fit into a storage medium (photographic film or MPEG-2 standard-definition frame, for example) with a narrower aspect ratio, reducing the horizontal resolution of the image while keeping its full original vertical resolution.

  6. Academy ratio - Wikipedia

    en.wikipedia.org/wiki/Academy_ratio

    Academy ratio 1.375:1. The Academy ratio of 1.375:1 (abbreviated as 1.37:1) is an aspect ratio of a frame of 35 mm film when used with 4-perf pulldown. [1] [2] It was standardized by the Academy of Motion Picture Arts and Sciences as the standard film aspect ratio in 1932, although similar-sized ratios were used as early as 1928.

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