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Senmyō (宣明), furo of Shōkoku-ji (built 1400, reconstruction 1596) in Kyoto, Japan A traditional private furo in a ryokan in Kyoto A modern acrylic furo in a Japanese apartment A JGSDF military furo in Camp Matsudo
The parang motif's oblique construction is a sign of strength, greatness, authority, and speed of movement. The parang motif, like the kawung design, is a batik larang as it is exclusively worn by the monarch and his relatives. [4] The size of the parang motif represents the wearer's position in the royal family's hierarchy. [5]
The case of Countess Elizabeth Báthory inspired numerous stories and fairy tales. 18th and 19th century writers liberally added or omitted elements of the narrative.The most common motif of these works was that of the countess bathing in her victims' blood in order to retain beauty or youth.
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A common motif used in Chinese embroidery and in Chinaware. [12] The butterfly is a symbol of joy and summer. [12] It also implies long life, beauty and elegance. [6] Pair of butterflies Pair of butterflies embroidered on clothing strengthens the energy of love. [6] Love, especially young love; undying bond between lovers. [6] Cicada
In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.
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