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The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Revolution in the Head: The Beatles' Records and the Sixties (Second Revised ed.). London: Pimlico (Rand). ISBN 1-84413-828-3. Miles, Barry (1997). Paul McCartney: Many Years From Now. New York: Henry Holt & Company. ISBN 0-8050-5249-6. Sheff, David (2000). All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono
The California sound is a popular music aesthetic [nb 1] that originates with American pop and rock recording artists from Southern California in the early 1960s. At first, it was conflated with the California myth, an idyllic setting inspired by the state's beach culture that commonly appeared in the lyrics of commercial pop songs.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
The term "garage rock", often used in reference to 1960s acts, stems from the perception that many performers were young amateurs who rehearsed in the family garage. [2] While numerous bands were made up of middle-class teenagers from the suburbs, others were from rural or urban areas or were composed of professional musicians in their twenties.
A list of musical groups and artists who were active in the 1960s and associated with music in the decade This is a dynamic list and may never be able to satisfy particular standards for completeness.
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"You Showed Me" is a song written by Gene Clark and Jim McGuinn (later known as Roger) of the Byrds in 1964. [1] It was recorded by the Turtles and released as a single at the end of 1968, becoming the group's last big hit in the U.S. [2] The song has also been covered or partially incorporated into other songs by a number of other acts over the years, including the Lightning Seeds, Salt-N ...