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Time Capsule: Songs for a Future Generation is a greatest hits album by American new wave band the B-52s, released in 1998.The album presents sixteen of their single releases and fan-favorite album tracks in chronological order, with the addition of two new songs recorded exclusively for this collection.
Time Capsule: Songs for a Future Generation, a 1998 greatest hits album by the B-52's; Time Capsule (Elvin Jones album), 1977; Time Capsule (Fingathing album), a 2005 compilation of Fingathing's first three albums; Time Capsule (Marxman album), a 1996 album by Marxman; Time Capsule (Lita Ford album), a 2016 album by Lita Ford "Time Capsule", a ...
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It is widely debated when time capsules were first used, but the concept is fairly simple, and the idea and first use of time capsules could be much older than is currently documented. [2] The term "time capsule" appears to be a relatively recent coinage dating from 1938. [3] In Poland a time capsule dating to 1726 has been found. [4]
A time capsule hidden since 1887 in a pedestal beneath a statue of Robert E. Lee was opened in December 2021 after the statue's removal, revealing an 1875 almanac, a waterlogged book of fiction, a British coin, a catalog, a letter and a photograph of a master stonemason who worked on the pedestal. [60] 1887 Dedham Museum and Archive: Dedham ...
Bivouac is the second studio album by American punk rock band Jawbreaker, released through Tupelo Recording Company and The Communion Label on December 1, 1992.While promoting their debut album, Unfun (1990), on a ten-week tour of the United States, the band had new material that they wished to work on through their shows.
In a concert performed in December 2005, Mayer explained the significance and meaning of the song: This is the most important song I’ve ever written, it's a time capsule song. I will listen to it every day of my life if I need to. It's honest to God the most important song I’ve ever written in my life, and it has the fewest words.
The song garnered positive reviews from music critics, who praised of the song's concept and praised its lyrics. Rolling Stone described the song as "mock-utopian" but felt that the song was "self-conscious." [5] Stephen Holden from The New York Times described the song as "an amusing evocation of the current baby boom" and fun but serious. [6]