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List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...
Some scales use a different number of pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [14] [15]
Vocal range plays such an important role in classifying singing voices into voice types that sometimes the two terms are confused with one another. A voice type is a particular kind of human singing voice perceived as having certain identifying qualities or characteristics; vocal range being only one of those characteristics.
This chart only displays down to C 0, though some pipe organs, such as the Boardwalk Hall Auditorium Organ, extend down to C −1 (one octave below C 0). Also, the fundamental frequency of the subcontrabass tuba is B ♭ −1 .
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A scale is a related set of pitches (not necessarily exact) that can be used as a compositional unit. It differs from a tuning or temperament since the latter is a system for tuning an instrument. The chromatic scale can be played in Pythagorean tuning , meantone temperament , or 12-tone equal temperament , or indeed many different types of ...
The practice of singing music to syllables designating pitch goes back to about AD 1000 with the work of Guido of Arezzo. Other early work in this area includes the cipher notation of Jean-Jacques Rousseau (18th century), and the tonic sol-fa of Sarah Anna Glover and John Curwen (19th century).
The terms sounding range, written range, designated range, duration range and dynamic range have specific meanings.. The sounding range [3] refers to the pitches produced by an instrument, while the written range [3] refers to the compass (span) of notes written in the sheet music, where the part is sometimes transposed for convenience.