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Feminine rhyme. 10 languages. ... Download as PDF; Printable version; From Wikipedia, the free encyclopedia. Redirect page ...
The Hudibrastic relies upon feminine rhyme for its comedy, and limericks will often employ outlandish feminine rhymes for their humor. Irish satirist Jonathan Swift used many feminine rhymes in his poetry. Edgar Allan Poe's poem "The Raven" employs multiple feminine rhymes as internal rhymes throughout. An example is the following:
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
Like the Shakespearean sonnet, the Onegin stanza may be divided into three quatrains and a closing couplet (normally without stanza breaks or indentations), and it has a total of seven rhymes, rather than the four or five rhymes of the Petrarchan sonnet. Because the second quatrain (lines 5–8) consists of two independent couplets, the poet ...
The rhyme of "swear for" with "wherefore" and "ecclesiastic" with "(in)stead of a stick" are surprising, unnatural, and humorous. Additionally, the rhyme of "-don dwelling" with "a colonelling" is strained to the point of breaking, again for humorous effect. Further, the rhyme scheme in a Hudibrastic will imply inappropriate comparisons.
The movement between feminine and masculine endings, with the feminine endings receiving emphasis, enacts a longing on the part of the speaker for the young man to stay. Atkins adopts the view that the monotony of the feminine endings creates a somber tone of loss. Lines 2 and 4 are the only lines without feminine endings and they "ending as ...
Sonnet 42 uses feminine rhymes at the end of the lines: especially in the second quatrain as a poetic device, similar to sonnet 40. [7] " The poem is essentially a sad one…it's sadness heightened by the feminine endings, six in all [out of seven]". [ 8 ]
A metrical and rhyming scheme dating to the Middle Ages and related to ballade forms. It consists of five eleven-line stanzas rhyming in the pattern ababccddedE, followed by an envoi rhyming in the pattern ddedE. There is also a refrain (as indicated by the capital letters) at the end of each stanza and including the last line of the envoi ...