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The drawing was created as part of The Virgin and Child with Saint Anne (1503–1519, Musée du Louvre, n° inv. 776). Leonardo da Vinci was over fifty-five years old [4] when he created the drawing of The Head of the Virgin in Three-Quarter View Facing Right in the years 1508–1510.
Head of a Bear is thought to have been executed by a young Leonardo da Vinci (b. 1452) circa 1480. It is a close-up drawing of a bear's head on a 7-by-7-centimetre (2.8 in × 2.8 in) piece of pink-beige paper. [1] [2] Its size has led it to be described as "a Post-it Note Leonardo". [1] It is drawn with a silverpoint pencil.
Successful Drawing (1951). Republished in a revised edition as Three Dimensional Drawing (16 new pages with technical material on perspective replacing the pictorial gallery sections) and reissued as a full facsimile of the original on May 4, 2012, from Titan Books. Drawing the Head and Hands (1956). Reissued as a full facsimile of the original ...
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
The Art of Adolf Hitler: A Study of His Paintings and Drawings. Grand Oak Books. Price, Billy F. (1984). Adolf Hitler: The Unknown Artist. Stephen Cook. ISBN 978-0-9612894-0-9. Price, Billy F. (1983). Adolf Hitler als Maler und Zeichner: ein Werkkatalog der Ölgemälde, Aquarelle, Zeichnungen und Architekturskizzen. Gallant Verlag.
In addition to visual art, Secret Art provides more personal insight into the life of Theodor Geisel. The book opens with a very short introductory letter by Geisel's widow, Audrey Geisel, titled "A Personal Note About Theodor Seuss Geisel", as well as an introduction by Maurice Sendak, both of which relate anecdotal tales of Geisel's work ethic and artistic vision.
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The drawing is related to the painting W37 : The Raising of the Cross: 1628-1629: Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W106 : Two Sitting Figures: c. 1628-1629: Black chalk: 19.3 x 14.8 cm