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Pluto (Korean: 명왕성; Hanja: 冥王星; RR: Myeongwangseong) is a 2012 South Korean film written and directed by Shin Su-won about the severity of competition among students at an elite high school, and how far one will go to be at the top.
A transparent program disc imprinted with concentric optical sound tracks, used for the Optigan musical organ. Optical sound is a means of storing sound recordings on transparent film. Originally developed for military purposes, the technology first saw widespread use in the 1920s as a sound-on-film format for motion pictures.
Dolby Labs became involved in movie sound when film studios used Dolby A type noise reduction on studio magnetic film recordings. The first film to use Dolby noise reduction throughout the production process is A Clockwork Orange (1971), though much of the benefit was lost when it was released with a standard "Academy" optical soundtrack.
An audio frequency or audible frequency (AF) is a periodic vibration whose frequency is audible to the average human. The SI unit of frequency is the hertz (Hz). It is the property of sound that most determines pitch. [1] The generally accepted standard hearing range for humans is 20 to 20,000 Hz.
The commercial use of Movietone began when William Fox of the Fox Film Corporation purchased the entire system, including the patents, in July 1926. Despite Fox owning the Case patents, the work of Freeman Harrison Owens, and the American rights to the German Tri-Ergon patents, the Movietone sound film system utilized only the inventions of Case Research Lab.
The following is a list of Pluto short films.. This list does not include shorts from other series in which Pluto appears, such as those from the Mickey Mouse series, the Donald Duck series, or other Disney short films that are not part of the Pluto series, nor shorts of Pluto made as part of the episodes of the television series Mickey Mouse Works.
High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth.It commonly refers to 96 or 192 kHz sample rates.
The subwoofer (.1 Low Frequency Effects) channel did not employ Delta-Modulation. Instead the 44.1 kHz sample rate was decreased to 1378 Hz, which yielded an upper audio bandwidth of 114 Hz with anti-aliasing and anti-imaging strategies applied in the remainder of the frequency range.